Monday, December 31, 2007
Happy New Year
Here's wishing you all good, successful and most importantly, peaceful times in the coming year!
A few lines from Dylan's 'New Morning' from the album of the same name released in 1970.
Can't you hear that rooster crowin'?
Rabbit runnin' down across the road
Underneath the bridge where the water flowed through
So happy just to see you smile
Underneath the sky of blue
On this new morning, new morning
On this new morning with you.
Cheers!
Thursday, December 27, 2007
A Discovery on a Cold Evening
Shankar Jaikishen was a duo of prolific and very talented music composers who composed for over 150 Hindi movies. At one point of time, they were the highest paid music directors in the circuit and a regular feature of all Raj Kapoor banner productions.The small town evening was cold and dull with nothing much to do. Thinking that some good Shankar-Jaikishen melodies might just brighten things up, I pushed the music DVD of Raj Kapoor songs inside the player. Half an hour later, things did brighten up with an interesting discovery and the idea for this post started taking shape in my mind.
Raga Bhairavi belongs to the Bhairavi Thaat. It is a late morning Raga, and traditionally is the last raga performed at an Indian Classical session. Shuddh Bhairavi uses all the 6 full notes in the ascending and descending order with D & E and A & B being flat. Many Hindi film composers have used this evergreen Raga to make many beautiful songs.
Out of the 11 songs that played in that half an hour, 8 were based on Raga Bhairavi.
The 8 Bhairavi laced beautiful songs were:
Awaara Hoon (Mukesh, Awaara, 1951)
Mera Joota Hai Japaani (Mukesh, Shri 420, 1955)
Sab Kucch Seekha Hamne (Mukesh, Anari, 1959)
Ramaiyya Vasta Vaiya (Manna Dey, Shri 420, 1955)
Barsaat Mein Humse Mile Tum (Lata, Barsaat, 1955)
Hawa Mein Udta Jaaye (do)
Hoton Pe Sacchai Rehti Hai (Mukesh, Jis Desh Mein Ganga Behti Hai, 1960)
Raja Ki Aayegi Baraat (Lata, Aah, 1953)
The duo had a great penchant for the Raga and used it beautifully and differently in all the above songs. Later my father, an expert on the subject of Old Hindi Film music and Indian Classical music informed me that all the songs of the movie Barsaat(1955) are set on variations of Raga Bharavi. Astounding!
Why were the masters so much in love with one particular Raga? We will never be able to get their answer to this question. According to me, perhaps it’s the robustness of the Raga because of the usage of all seven notes. The last song in the DVD was ‘Jeena Yahaan, Marna Yahaan’ sung by Mukesh from the movie Mera Naam Joker (1970). Once again set to Raga Bhairavi!
In a similar manner, the great composer of yesteryears, Roshan (grandfather of Hrithik Roshan) had his muse in Yaman, another beautiful Raga.
Today, barring AR Rehman, no other musician has the sense or inclination to use Raga Bhairavi, in its pure form and beautifully. Try listening to the intense ‘Enge Enathu Kavithai’ sung by Chitra from the movie Kandukondein Kandukondein or the little known ‘Sabak Aisa’ sung by Saadhna Sargam from the movie, Tehzeeb or the popular ‘Jiya Jale na Jale’ sung by Lata from the movie, ‘Dil Se’.
ps: Im' not a fan of Raj Kapoor. Just felt like making that clear.
Monday, December 24, 2007
The 'not so mild' winter - 2
Narendra enthusiastic driving skills saw us entering the gates of Dilli Haat within twenty minutes of leaving Central Delhi, despite the rush hour. Haat is a word in Hindi for a weekly village market and true to the meaning; the place has the charm and feel of a village fair.
Having heard from many about the place, I was expecting it to be a mere marketplace selling articles and goods from the different parts of rural India. And, the first look suggested the same. Two hours later I walked out of the place with a sense of appreciation and a feeling of pride for our country’s rich and superbly diverse culture. The place isn’t a mere marketplace…it’s a showcase of the skills and craft of many small, unknown and unsung artistes and craftsmen from different corners of the country. It’s a nurturing ground for such talents, a great idea and a massive effort. I couldn’t have brought Farhan to a better place and he was almost euphoric. I shared this feeling with him.
Apart from the artifacts from the many parts of India, it has stalls carrying the distinct food from the different states. We chose the authentic filter coffee from the Tamil Nadu stall. The excellent coffee went very well with the rising chill of the evening.
Once again, Farhan picked up a few things for his family while I managed with much needed key rings, made from coconut wood, an EkTaara (a one string musical instrument) and a Damroo (a percussion instrument, supposed to be the favorite of Lord Shiva). The Ektaara player was an obscure talent, playing many popular Hindi tracks on a ONE-STRINGED instrument. The melodies of Mera Joota Hai Japaani, Reshmi Salwaar Kurta Jaalidaar, Ek Do Teen, just kept flowing from one string. It was a stunning performance!
Just near the exit, a puppet show was in full swing and it held us captive for the next 20 minutes. The kids and the puppeteer were the guys having most fun. The themes of a show varied between ‘a snake-charmer unsuccessfully trying to manage a cobra’ and ‘a gallant horse-rider displaying his skills on the horse’. The last time when I saw a puppet show, I was a kid. While watching this one, I became a kid again. Mesmerized and Charmed!
The evening ended with a delicious meal at Punjabi by Nature, a restaurant recommended by an old friend and a Delhi old timer who later joined us at the joint. The Reshami Kebab was of the size of a loaf of bread and we had to use a knife to cut slices of it. It was one of the finest Kebaabs, I’ve ever tasted and we thanked the ‘Delhi friend’ for his excellent recommendation.
The long day and a great meal had made the two of us amply sedate. We said our goodbyes to the ‘Delhi friend’ and headed towards the guesthouse with Narendra. A calm and satisfied look on Farhan’s face with sleep getting ready to take over suggested that he had a good time. I smiled inside my mind and looked outside the window of the moving car.
The picture above is from the puppet show. Can you catch a fleeting glimpse of the cobra and the snake-charmer?
Wednesday, December 12, 2007
An announced break
From the cold evening of New Delhi railway station, I will be boarding a night-train to reach the land of Buddha's Nirvana in the morning.
Thursday, December 06, 2007
The 'not so mild' winter - 1
This post should have appeared a week ago but certain situations and perhaps my ennui towards writing kept it away, somewhere in the pages of my mind. With a big meeting getting postponed one more time, I thought of pulling it out and putting it here.My friend Farhan Shaffie from the ‘Emerald Isle’ was in
Between the many business meetings we managed to steal some time, an office vehicle and Narendra, the enthusiastic driver for Farhan’s ‘Dilli Darshan’(which included Tourist shopping). Actually, the prospect of this venture was quite attractive to me too as ‘Dilli’ had become very faint in my memory. Some 10 years ago, I lived in this city for a while.
Narendra had everything fixed in his mind regarding the structure of this trip and interestingly, his structure tallied with the one in my mind. We set out after putting in some good north Indian food inside our system.
Our first stop was at the ‘seat of power’ and ‘shot of history’ with the Rashtrapati Bhavan, India Gate et al. The whole area with its grand and beautiful architectural achievements of Lutyen has the powers to fill everyone with awe and that’s exactly what it did to us. Farhan’s camera was working overtime.
After a few circles around the big circular shopping arcade called the
Apples picked up from a roadside fruit-seller satiated our small evening hunger. An early darkness, typical of north Indian winters was descending on the city. Narendra was driving us to our next destination, Dilli Haat. More on that in the next post.
The picture above is of an X-Mas Greeting postcard sent to London from WAC Hostel, New Delhi in 1944.
Friday, November 23, 2007
The mild winter
The onset of sun has become mild and day begins with a hazy and diffused light. Even my east-facing bedroom permits me to stay in the bed a little longer.
And when the golden blob becomes a little strong during the course of the day, it feels good in the bones to be underneath it.
Finally, when the evening comes with the leaves on the trees swaying in a calm joy, and the birds chirping ‘Homeward Bound’, you feel like going for a long walk.
The mild winter of Bombay is here.
Tuesday, November 13, 2007
Morning Music
Like many others, I begin my day with a heavy shot of music. It plays in the background and forefront of my waking hours while I go about doing my routine activities. Yoga, Hindustan Times, Orange Pekoe, staring from my window at the newly built crows nest on the tree outside etc., while what I call as ‘Morning Music’ keeps playing in my world.'Morning Music' because all music can’t be played at the beginning of the day, as there is a certain mood associated with mornings. Something which our very own Indian Classical gurus from the past understood clearly and composed Ragas suitable for different times of the day. I can’t imagine beginning my day with the Tom Waits album ‘Closing Time’ while I completely relish the ‘The White Album’ with its aircraft landing sound (Back in the USSR, the opening track) every time it becomes a part of my mornings.
Let me take you through the chain of melodies that I queued up for this morning.
It began with the delicate piano note of Satie’s 'First GymnopĂ©die'. Its gentle melody feels as if a mother is lovingly caressing a child’s head to wake her up from a good night’s slumber.
Then it moved into the brilliant three violin and a bass piece called ‘Canon in D Major’ by Pachelbel. I've already mentioned it in my earleir post and along with GymnopĂ©die, it has become a permanent fixture of my current being. Its slow beginning and full bodied yet gentle finale makes one ready for the day.
A change of genre happened here with Mr Neil Young coming in with songs from his brillaint early albums, ‘Everybody Knows This Is Nowhere’ (2nd album, 1969) and 'Harvest' (4th album, 1971). The master’s guitaring in ‘Down by the River’ and the honesty of poetry in ‘Heart of Gold’ is exceptional.
The old country crooner, Hank Williams came next with his melodious and simple ‘Lovesick Blues’ and ‘Cold Cold Heart’. The latter has been sung by so many other artistes including Dylan and Norah Jones but nothing beats the rawness of Hank Williams's voice.
The morning’s chain of melody ended with ‘I Feel Free’ from Fresh Cream, the fabulous debut album by Cream (1966).
I switched on BBC World to know whats happening in the chaotic state of Pakistan and the rest of the world. The channel also informed me that the first exibition of Bob Dylan’s many paintings has opened up at a museum in Chemnitz, Eastern Germany.
ps: I spent the Diwali weekend in the peaceful surroundings of Kerela. I had gone there for important personal reasons. The visit was nice and peaceful with a lot of good Malayali food (specially Fish Molly & Prawns Chilly), car rides and a boat ride thrown in. I enjoyed myself completely.
Thursday, November 01, 2007
A well spent Day
While Phish wants me to write on ‘good writing’ and circumstances want me to write to my mother, I chose to write about today because I'm unable to sleep without doing so.After seeing off my friend on a train headed towards Trivandrum from CST (popularly known as VeeTee), I thought of treating myself to my old neighborhood…the area known as ‘town’. This area was my first exposure to Bombay because of my stay at the YMCA, Colaba during the beautiful first two years in the island city.
So, I began with a walk inside the porticos of the old gothic buildings, which has a million DVD (pirated) and old books stalls. Between the many calls to buy porn DVDs from the Dhoni/John Abraham look-alikes, I ended up buying two books from these pavement people. 'Tales from Underground' (as my original copy was missing from my library) by Fyodor Dostoyevesky and a collection of funny writings by Woody Allen, called 'Without Feathers'.
Happy with the purchase and humming ‘The Wedding March (for some reason)’ by Mendelssohn, my next stop was at the institutional Tea Center next to the Curchgate Station. I sat there sipping on the excellent Darjeeling Flowery Orange Pekoe, First Flush along with some French toast, and funnies from Mr Allen’s book. ‘I wonder what happens after death. Will we be able to take showers after we die?’ he writes. The man is genuinely funny.
After relaxing for an hour at the place, I came out with a fresh mind and a pack of Apoorva Makaibari tea. My next destination was the great 'Gokul Restaurant & Bar' in Colaba to meet my brother in law, Shoaib. By now, the evening had started asking the night to replace her.
The cabdriver who gave me the ride from Churchgate to Regal was happily singing an Alaap in what felt like Raaga Bhimpalaasi (the excellent Bhajan, Allah Tero Naam, from the old movie, Hum Dono is based on this raga) to me. He was singing it very well. A quick conversation revealed that Dinkar, the cabbie has learnt Indian Classical, vocal for 5 years and loves practicing it while he is taking people here and there. When I asked him if he uses it for commercial purposes, he replied, ‘I just like doing it for my happiness and nothing else.’ I felt wonderful about meeting such a man.
The great and once again institutional Gokul was absolutely the same…guess it will always remain the same. It lives in a time warp. Smokey, No Nonsense, Quarter system, Mostly men bar (many say its a gay joint too). The gang of friends who are always there on their regular table had come. The first time I had seen them was some 8 years ago and ever since, they come there everyday. Once, even I used to go there everyday.
Shoaib and I had a good time with conversation on important and unimportant subjects. The conversations were laced with Teachers, Port and good old Gokul food. Later, we caught the cabs to our respective destinations.
Back at home, before sleeping I took a shower while Pete Dorge sang ‘Small Time Blues’ from the CD player. Contrary to the popular theory, it didn’t help me drift into a sweet slumber and here I am writing this piece.
That’s how Victoria Terminus (Vee Tee) used to look in 1908.
ps: I've started on the write-up, Phish.
Thursday, October 25, 2007
Kill to Get Crimson
A week after I heard about the man’s new album, it was playing in my CD player and it has been there ever since, replacing the mesmerizing Canon in D major by Pachelbel. I’m referring to Mark Knopfler’s 5th solo album which is called ‘Kill to Get Crimson’. Just when I thought I’m ready and willing to write about it, I found this beautiful review from Rolling Stone and I had second thoughts. The magazine's review deserved a space here and so, I’m presenting it to you. It’s written by Anthony DeCurtis.Along with occassional soundtracks and All the Roadrunning, his winning 2006 collaboration with Emmylou Harris, Kill to Get Crimson is Mark Knopfler's fifth solo album, and it's a gem. Since the 1995 breakup of Dire Straits, Knopfler has dedicated himself to making music that blends the deep resonance of traditional folk with the off-kilter edginess he brought to his former group's most trenchant songs. Knopfler is best at deftly drawn character studies -- the failed actor in "The Fizzy and the Still," the aging painter in "Let It All Go" whose passion for color gives the album its title. A recovering guitar god, Knopfler plays superbly -- check out his haunting solo on "The Scaffolder's Wife" -- but always with instinctive restraint. He's an ensemble player, nestling in among the likes of accordionist Ian Lowthian and fiddler John McCusker to summon sonic images that subtly reinforce the moods of his songs. Kill to Get Crimson, then, is at once egoless and supremely accomplished a testament to the rare talent that enables a master to say something simply and beautifully, and leave it exactly at that.
I just couldn’t help adding my bit.
The album begins with a very happy and sing-along, ‘True Love will Never Fade’ and ends with the melodious and melancholic ‘In the Sky’. I wonder why Mr DeCurtis missed out on appreciating Chris White’s haunting saxophone shadowing Mr Knopfler’s, almost wailing voice in this final track.
Thats how the album cover looks like. Its a 1958 painting by John Bratby called 'Four Lambrettas and Three Portraits of Janet Churchman'.
ps: I came up with this post despite being tagged to write something else...my apologies, Phish! It will happen one of these days.
Friday, October 19, 2007
Back to Fiction

‘No Exit and other Plays’ – Jean Paul Sartre
Having read and getting influenced by almost all the works by this master, this was the first time I was in presence of the man as a playwright. One page down the first play and once again I was marveling at the brilliance of this great thinker’s mind.
All philosophers try to address the basics of life and that’s what the 4 plays in this collection try to do. The first one, ‘No Exit’ is writer’s interpretation of hell and deals with issues like guilt, morality and suffering. Though I’d love to talk about it at length but that will work as a spoiler and so,I shall refrain from the temptation.
The other plays are about subjects like existence and need for God, differing political philosophies (with a focus on Communism) and racism. All of them expressed with the genius of Mr. Sartre’s style.
‘Reef’ – Romesh Gunasekara
I came upon this author of Sri Lankan origin, for academic purposes. His collection of short stories called ‘Monkfish Moon’ had impressed me with their simplicity of plots, eye for the detail and the easy narrative style and so I picked up this one during my recent trip to the island country.
Frankly, I had expected more from 'Reef' than what I got out of it. At a macro level it’s a tale of a country mired in political turmoil. It’s narrated from the viewpoint of an adolescent cook serving at a house with some amount of old money and one middle aged bachelor.
Once again, the simple and detailed narrative style is interesting but gets staid after a while. It was good when the writer was dealing with the short story format. One expects more substance out of a novel. But, I enjoyed the familiar sprinkling of the geographical context in the novel…a context, which has become much lovable after my recent trip to the place.
Please don’t go by my views, as the book got short listed the famous Booker awards. Pick it up and decide for yourself.
‘Disgrace’ – John Maxwell Coetzee
This one got a Booker and was one of the reasons why this South African author got the coveted Nobel Prize for Literature. Having read a collection of his essays, ‘Stranger Shores’, I knew that I was going to get immersed in some good writing and content. And this work of fiction did not disappoint me at all. Right from the first sentence onwards, the unique description in present tense gripped me completely. In spite of being a slow reader I finished the book in 3 days time. Allow me to give you it's backdrop briefly.
A Cape Town literature professor, Coetzee's central character believes that ''for a man of his age, 52, divorced, he has, to his mind, solved the problem of sex rather well.'' That's the novel's first sentence, and it tells us that David Lurie hasn't solved the problem at all. This is simply the status quo whose rupture produces a story. The commas are placed beautifully in the way that they parse out his situation, bracketing off ''to his mind'' in order to suggest the limits of his solution, his regular Thursday afternoons with Soraya of Discreet Escorts.
You should surely pick up this one to know why Mr Coetzee got a well-deserved Nobel.
But, can somebody explain why Al Gore of ‘The Inconvenient Truth’ got a Nobel for Peace…beats me!
Wednesday, October 10, 2007
A Good Journey
Its been a good journey so far, and the writer appreciates the attention that the blog keeps getting now and then. Many thanks!
Tuesday, October 09, 2007
Seashell Eyes, Windy Smile
It’s John Winston Ono Lennon’s birthday today. Had he been alive he would have been 67 years old and perhaps writing many more beautiful songs. One man’s lunacy resulted in a highly premature end to the music and poetry of one of the greatest artistes of all time.In my opinion, Lennon recorded some of his best music during his solo career starting with the phenomenal album, 'John Lennon/Plastic Ono Band' (1970). But for the occasion, I’m going to talk about a song which he wrote and sang on the landmark double disc album by The Beatles, referred to as The White Album (1968). The song is called 'Julia'.
No other Beatle sings or plays on the recording and this is the only time that Lennon played and sang unaccompanied on a Beatles track. It was written for his mother Julia (who also died in an accident) and his wife, Yoko Ono (Yoko in Japanese means ‘child of the sea’…you will see the significance of this when you read the lyrics below)). He also drew inspiration from Kahlil Gibran’s poem ‘Sand and Foam’ for this brilliantlly soft track painting a totally surreal imagery. Travis picking (a style of picking of the guitar strings) and his dreamy, lullaby sort of voice goes on to complete the picture.
The usage, ‘Seashell eyes, Windy smile’ is one of the finest I’ve come across in popular music.
Julia
Half of what I say is meaningless
Dave Grohl, ex-Nirvana drummer and singer/guitarist of the Foo Fighters, once said that his life would be complete if he could write a song like "Julia." For me, just listening to the song is enough.
So, at midnight I did a small celebration by playing ‘Julia’, before dozing off to golden slumbers and wanting to dream of sleeping sand and silent clouds.
Thursday, October 04, 2007
The Emerald Isle Diaries - 10
I arrived here with many DVDs, new clothes, tea-tins, a coffee-table book on Sri Lanka, a beautiful ‘Thank-you plaque’ of the shape of the island and a strange numbness of leaving behind a world which had almost become home...a good home. In fact, I had the chance of making this world a proper home but I denied it for reasons known to me and perhaps to the unhappiness of my friends at the Isle. The numbness stayed with me till the familiar quarters of my home and meeting the people I missed cured it.
Numbness aside, I have returned a happier man from the Isle. The visit to the country was perhaps like a visit to a counsellor. I talked about myself to new people without any inhibition because they showed genuine interest in knowing me. When they asked, ‘Did you sleep well last night?’ you knew from their expression and the tone of voice that they are really interested in knowing about my comfort levels. And, I had just met them. Today, they have become good friends and will always remain so.
I also saw myself going back to reading fiction despite not being in that ‘Holiday State of Mind’…I was in Sri Lanka on work. Perhaps it’s got to do with the ‘Peaceful State of Mind’, which the country gave me. I finished reading ‘No Exit and Other Plays’ by one of my favorites, Sartre. I hadn’t read any of his plays before and I enjoyed them completely.
I may have to go back to the Isle in a while but till then, as I mentioned in the first paragraph, I shall keep going there every now and then between the sips of Ceylon Tea sieved through Chaga’s thoughtful gift.
The photograph above is of the good friends I made at The Emerald Isle. From left to right: Farhan, Thiyagi and Chaga.
Thursday, September 27, 2007
A pagebreak in protest
Its shameful!
Sunday, September 23, 2007
The Emerald Isle Diaries - 9
The photograph above is of the vocalist of Sage Merlyn.
Friday, September 21, 2007
The Emerald Isle Diaries - 8
The photograph above is of Chagas gift. The kettle belongs to the Hotel.
Monday, September 17, 2007
The Emerald Isle Diaries - 7
Sunday, September 16, 2007
The Emerald Isle Diaries - 6
History suggests that
with its understated, sleepy charm. Its low-rise streets are lined with old churches and Dutch colonial villas, many of which retain original street-facing verandahs, their white plaster now stripped by sea breezes and weathered to a peeling grey and yellow. Interestingly, the city was left unharmed by the Tsunami.
The first photograph is of the beautiful dutch church from inside and the second one is of a street in the fort city.
Tuesday, September 11, 2007
The Emerald Isle Diaries - 5
Largely immersed in work for the last few days, I’ve been neglecting the Diaries. So, woke up early today to make up for it. The morning ocean looks calm and easy, as if it has had a good night’s rest. BBC informs that Nawaz Sharif has been bundled off to Jeddah from Islamabad airport. That nation will always be in a state of chaos, I guess…pretty bad for the common citizens!A week before coming to the Isle, I quit smoking…something which I’ve never attempted in the last 15 years of my smoking career. And, barring two occasions of temptations, I’ve been easily successful from staying away from the stick. One of them was the evening at Anuradhapura, mentioned in previous post. The next one happened at one of the restaurants of Taj Samudra.
I usually take my evening meals inside the comfort and convenience of my room, but this particular evening I decided to step out and check the eateries of the hotel. ‘Navaratna’, the popular Indian restaurant looked awfully crowded, driving me to the place next door, The Steak & Grill House. In a dramatic contrast, the place had nobody inside except a lady sitting on the pianoforte and softly playing ‘Lara’s theme’ while a couple of waiters watched her. The lady was playing quiet well. I had found my place!
In the course of the evening, she played a lot of my requests, and except for the extremely difficult ‘Moonlight Sonata’ they were all rendered very well, the best one being the peaceful ‘Air on the G String’ by Bach with its intertwining harmony and melody. Bordeux was great, as usual and the food perfectly went along with it. I text messaged to my friend in India,
“She has music in her fingers
While, I have a fork in mine.”
And suddenly, the evening felt incomplete without the white stick between my fingers. I asked the waiter for one and he replied that I will have to pick up a complete pack.
So, I remain a non-smoker. And you know what…it feels nice and healthy.
I left the pleasure-filled evening by thanking the lady who had made it so. I was humming the difficult sonata in my mind, trying to get it right.
With tomorrows dawn, I shall be headed towards the ancient port city of Galle in the southern part of the Isle. Its famous for its time-warped streets lined with historic Dutch villas. More on that in the next page of the Diaries.
Monday, September 03, 2007
The Emerald Isle Diaries - 4
In their day to day living, Sri Lankans follow the principles of Zen Buddhism. No matter what religion they have in their surnames and faith, they follow the art of Zen. Zen teaches you to be mindful and aware of your surroundings and that’s how the people of the Isle are.They will always keep the door open for the next person, they will always ask you if you slept well, they will try to sense every expression on your face to assess what you want; they will listen to whatever you are saying and then they also listen to the unsaid. That is Zen!
The Sri Lankan hospitality is astounding, almost magical and motherly. Back home in the city of Mumbai this kind of experience is unheard of. The last time I felt like this was with my parents as a child and with certain good friends.
With frequent halts for conversations along with some extremely sweet Ceylon tea, we reached the UNESCO heritage city of Anuraadhapura by the evening. It’s a town full of Buddhist history and ruins from the 4th century BC. Legend has it that it was the fabled capital of the Asura King Ravana in the Ramayana.
Smirnoff, bought at the local Cargill superstore gave us company for the night at a local resort called Nuwarawera Rest House. Sitting next to a lit pool and a 'witchy looking' tree, we did full justice to the famous brand of Vodka and the evening. A black cat kept walking around our feet. We talked about various superstitions, clients, marriages, love and personal philosophies.
The next morning saw us turning into tourists. Sri Lanka's largest Stupa called the Jetavanaramaya belittled me with its size and grandeur. At a height of over 400 feet (120m), it is the tallest stupa in the world, largest brick building ever built, and 3rd largest structure in the ancient world, after the two largest of the Great Pyramids of Giza. Next stop was at the Mahabodhi tree, which is said to be the sapling from the original Bodhi tree from Bodh Gaya, a town in Bihar. Interestingly, Bodh Gaya happens to be the city of my origins too. Sadly, this important temple is very ill-maintained. Some more ruins from the BC era, around the city and we were on our way back to Colombo. A little halt at a charming, seaside village of fishermen was beautiful. Because of the paucity of time, we excluded the famous Sigiriya Fort and Elephant Sanctuary for another day.
By the time, I reached the hotel, I was extremely exhausted. A couple of drinks from the Red Label gifted by my friend Mr Shaffie proved to be of great help. It put me to a sweet and dreamless sleep.
Today was pretty critical and successful in the context of work.
And thats how the world's tallest Stupa, completely made of bricks, looks like. Notice that its top is broken. It was discovered in that state in early 1900s.
